26 February 2010

Friday Flash: "Good"


"Good"
by Jen Brubacher
 
Vera wound her old hands around themselves over and over as if she were washing them. Harriet thought it didn’t matter how often Vera washed them, using water or otherwise. They would never be clean.

"He’s a good boy," Vera croaked, for perhaps the eighteenth time.

And Harriet nodded, for the eighteenth time.

There was a muted click as she set her tea cup to its saucer on the glass table.

Vera waved her hand near her wrinkled throat. "Is it six o’clock yet?"

"No."

The police would be there at six o’clock. The detective had promised. Spring sunlight was melting over the far hills to the west and it might be dark before anyone arrived. Harriet got up to light the candles and the thick smell of beeswax filled the conservatory. She stared with longing through the windows at those far hills. But there was no use in running with Neil still away.

"I suppose we could put together a stew and ask the detectives to stay." Vera tilted her head as if imagining the ingredients.

Harriet could imagine them too well. The thick chunks of red meat, hacked off the bone. Blood soup. She gagged.

Vera frowned at her. "Goodness, girl. Get ahold of yourself."

"Sorry."

"You don’t want to be making faces like that when the police arrive, do you?"

"No."

"Neil handled it just fine. He’s a good boy."

"He should be back soon." Harriet hugged herself and forced the images away. "It isn’t far to the lake."


"Don’t patronize me," Vera snapped. "This is my home.  I know where the lake is."

"Okay."

The old woman reached for the last biscuit on the bone china plate. A Blue Italian pattern showed peaceful peasants herding their cows into a river. The biscuit scraped over the dish and was taken between Vera’s fingernails. She nibbled and brown crumbs fell from her sagging lip.


"We can ask them to stay for dinner and it will put them off their guard."

"Yes." Harriet let herself be mesmerized by Vera’s false teeth as they chewed. She didn’t want to think about the police, or the house or the family, or what would come next, tomorrow. When Neil was back and Vera was sleeping she could beg him to tell her what they should do. For now she just had to hang on. She listened to the biscuit crunching and tried not think about crushed bones and a cry cut short.

Vera caught her staring and glared.

"I hope you aren’t making plans."

"No, of course not."

"We’ve no need of your plans. Neil handled it just fine."

"Yes."

"Anyway," the old woman continued. "It’s not like it’s the first time."

They both froze as footsteps started in the great hall outside the conservatory. Their eyes went to the door. It was opened, and Neil stood framed, the cut-glass chandelier in the hall shining out from behind his head.

"It’s done." His voice dragged with weariness.

The overalls he’d been wearing were gone, perhaps sunk into the lake with the rest. They’d been stained, anyway. But he’d kept the boots. Harriet saw chunks of mud stuck to the laces. She glanced up to his big hands and saw dirt beneath his fingernails. Just dirt? He caught her looking and put his hands behind his back like a naughty child.

Vera grinned. Her mouth stretched out, crumbs trapped at its corners. "Good boy."


Click here for my previous Friday Flash.

This story came about from an exercise called "An Iceberg," from The 3a.m. Epiphany and suggested by Angela Dorsey.  The idea was to write a scene where much of it is below the surface, untold.

21 comments:

  1. a quiet mysteriousness to this one. elegant description, love the patter on the china.

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  2. Thanks, Michael. I was hoping to contrast the elegance of the tea party to the brutality of what wasn't said.

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  3. Super undercurrents moving through this. The interplay between the two women provides an interesting understated conflict. I was a little unsure of why they had phoned the police - am I being dense?

    The main thing I would change is removing the first two words so the opening only focuses on the two characters waiting for Neil. He gets introduced nicely later and introducing all three characters in the opening leaves that first sentence a little cluttered.

    Great piece - definitely an iceberg narrative with a lot under the surface :)

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  4. Thanks for your comments Dan. I think you're right about the first sentence. I felt it was cluttered but got stuck trying to keep Neil in there somewhere.

    I'm pretty sure they called the police because (spoilers for my brain, here) if they hadn't reported the person missing right away it would have appeared more suspicious. But no, you aren't being dense, it isn't clear at all. It was a tough exercise to get right, balancing what's known with what's not. But it was fun. :)

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  5. Mmmmm, blood soup!

    What wasn't said was very strong, I like that a lot.

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  6. ooh, mystery and intrigue. Who is in the lake? I think it is perfect what you have left unanswered here.

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  7. Was that a reference to Lady MacBeth in the first paragraph? Really liked the image that Vera's hands would never be clean. Gets reader to think, "What happened?"

    Really good balance between what's known and what's hinted.

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  8. Hey Jen: very deep, like the lake; layered, like onions.. seriously, I got into this story a lot, right from the get-go because, ah ha! An old lady! Loved their named. I actually thought about naming my old lady Harriet because as a child my favourite book was Harriet the Spy. But I digress (as usual).
    Loved the guessing-game of the story and the dialogue between the two ladies, as well as your description of the biscuit being eaten.

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  9. If that gets an "Mmmmm," mazzz, I don't know that I want to join you for dinner! ;)

    Thanks for the comments, guys! Nicole, you're awesome for stopping by. :)

    As for who's in the lake, G.P., I couldn't comment on who's there, and I suspect they're in too many pieces to find out...

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  10. Marisa, the first image that came to me for this story was the older lady rubbing her hands together. But later when I realized why it very definitely became a reference to Lady Macbeth. Good catch.

    Cathy, that would have been pretty strange if we figured out we'd both written #ff about mean old ladies named Harriet! The stars aligned, or something like that.

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  11. Oh wait... my mean old lady wasn't named Harriet. Um, oops. Well, the coincidence would have remained!

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  12. Great interplay between the two women and excellent use of food to contrast with body bits! Excellently ice-bergian :)

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  13. Yes Jen, this is good! This paragraph with the biscuit neatly summarises in sounds and visuals the oppressed and repressed violence in the relationship between Harriet and Vera-the-terrible, and also the tension between pastoral and civil (police) life:

    "The old woman reached for the last biscuit on the bone china plate. A Blue Italian pattern showed peaceful peasants herding their cows into a river. The biscuit scraped over the dish and was taken between Vera’s fingernails. She nibbled and brown crumbs fell from her sagging lip."

    Very nicely done!
    Simon.

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  14. Letting the mystery be, your story was rife with detail and the unsaid. That's enough for me.

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  15. That is a fun excercise. And I think you kept it under the surface in more than one way. Thanks for sharing, Jen

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  16. Loved all the minute details, like the mud on the boots. The last line was priceless.

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  17. Oh, the mysteries of this! Well played! Beautiful descriptions.

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  18. We have those blue patterned dishes. This was eerie. Love the obsessive loyalty to Neil and the iceberg idea turned out tremendously. Well done!

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  19. Thank you again for the awesome comments! I really enjoyed this exercise and I suggest it, if you're looking for a prompt.

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  20. I commented more on this story elsewhere, as you know, but I just wanted to say that it's even more ominous, creepy on a reread.

    And titling it "Good" and then reusing the word when all is so obviously _not_ good is just ugh and brilliant. :)

    Looking forward to your next Friday Flash . . .

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Thanks for taking the time to comment. Feedback and discussions are always welcome.